After Hours movie review & film summary (1985) Roger Ebert

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For Roger Ebert, After Hours demonstrates the elusive notion of "pure filmmaking", an exercise in all style and no substance: "It lacks, as nearly as I can determine, a lesson or message.

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Paramount had just pulled the plug on his production of " The Last Temptation of Christ ," which put him into a deep depression. At the same time, producers Griffin Dunne and Amy Robinson had this weird, goofy script (originally titled "Lies") by screenwriter Joseph Minion about a guy having the worst night of his life.

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After Hours is a caffeinated black comedy with an emphasis on speed. With a small crew and a tight shooting schedule, Scorsese transformed limited means into a staccato burst of creative energy, playing up the extreme paranoia and frustration of a data processor stranded in Soho. By Scott Tobias FULL REVIEW. 80.

After Hours

Roger Ebert named After Hours one of the year's best films, giving it four out of four stars and calling it a great combination of comedy and satire. In fact, 24 years after its release,.

After Hours Films

Roger Ebert, RogerEbert.com "After Hours" could be called a "hypertext" film, in which disparate elements of the plot are associated in an occult way. In "After Hours," such elements.

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"After Hours" approaches the notion of pure filmmaking; it's a nearly flawless example of -- itself. It lacks, as nearly as I can determine, a lesson or message, and is content to show the hero facing a series of interlocking challenges to his safety and sanity.. Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his.

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Cinematography. Editing. Short film. Please enter a payment description. June 18, 2022 'After Hours' was like an independent film. It was shorter and cheaper. I just wanted to see if I still had the energy to shoot quickly. There's a certain passion that you have to have to make 'Mean Streets' or 'Taxi Driver' and 'Raging Bull.'.

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Best of 1985. March 1, 2019 firstmagnitude 4762 Views 1 Comment 1985 , After Hours , Back to the Future , Blood Simple , Lost in America , Mad Max Beyond Thunderdome , Mishima , Prizzi's Honor , Ran , Shoah , Streetwise , The Color Purple , The Falcon and the Snowman , The Official Story , The Purple Rose of Cairo , Witness.

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An excerpt from Scorsese by Ebert. Since that first day, Scorsese has never disappointed me. He has never made an unworthy film. He has made a few films that, he confided, he "needed" to do to get other films made, but those films were well made, and if it is true, for example, that After Hours was done simply to keep him busy and distracted after the heartbreak of the first cancellation.

After Hours (1985)

Martin Scorsese's "After Hours" is a comedy, according to the strict definition of that word: It ends hapily, and there are indications along the way that we're not supposed to take it seriously.. Roger Ebert. Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for.

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"After Hours" approaches the notion of pure filmmaking; it's a nearly flawless example of -- itself. It lacks, as nearly as I can determine, a lesson or message, and is content to show the hero facing a series of interlocking challenges to his safety and sanity. It is "The Perils of Pauline" told boldly and well. Critics have called it "Kafkaesque" almost as a reflex, but that is a descriptive.

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2 'The Long Goodbye' (1973) Image via United Artists. The Long Goodbye is a cold comedy noir, the story of a private investigator who, when helping a friend who has been accused of murdering his.

After Hours YouTube

After Hours is a 1985 American black comedy film directed by Martin Scorsese, written by Joseph Minion, and produced by Amy Robinson, Griffin Dunne, and Robert F. Colesberry.. Film critic Roger Ebert gave After Hours a positive review and a rating of four out of four stars. He praised the film as one of the year's best and said it "continues.

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Metascore. Based on 8 critic reviews provided by Metacritic.com. 100. Chicago Sun-Times Roger Ebert. After Hours is a brilliant film that is so original, so particular, that we are uncertain from moment to moment exactly how to respond to it. The style of the film creates, in us, the same feeling that the events in the film create in the hero.

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Roger Ebert, Movie Critic of the Mainstream, Dies at 70 The New York Times

Roger Ebert was an early big fan, but many critics didn't seem to grasp After Hours' indulgence of screwball paranoia as a snapshot of the times, and a statement on social dislocation.